Description
overviewfb55cd020f0643f08418183279e63a5f
SCARLATTI Harpsichord Sonatas, Vols. 1 – 11
Recorded 1951-55
Fernando Valenti, harpsichord
578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples/PAKM010.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer’s Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5fClick below to expand note:VALENTI Scarlatti: Harpsichord Sonatas, Vol. 1 (1951) – PAKM010
Valenti’s monumental Scarlatti series, Vol. 1
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 2 (1951) – PAKM011
Valenti’s monumental Scarlatti series, Vol. 2
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 3 (1951) – PAKM012
Valenti’s monumental Scarlatti series, Vol. 3
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 4 (1952) – PAKM014
Valenti’s monumental Scarlatti series, Vol. 4
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 5 (1952) – PAKM017
Valenti’s monumental Scarlatti series, Vol. 5
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 6 (1952) – PAKM018
Valenti’s monumental Scarlatti series, Vol. 6
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 7 (1953) – PAKM020
Valenti’s monumental Scarlatti series, Vol. 7
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 8 (1954) – PAKM022
Valenti’s monumental Scarlatti series, Vol. 8
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 9 (1955) – PAKM023
Valenti’s monumental Scarlatti series, Vol. 9
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 10 (1955) – PAKM026
Valenti’s monumental Scarlatti series, Vol. 10
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 11 (1955) – PAKM027
Valenti’s monumental Scarlatti series, Vol. 11
Excellent transfers for Pristine by Peter Harrison
Domenico Scarlatti’s canon of 555 keyboard sonatas is one of the great collections of classical music, and one that we have already visited with the Scarlatti Society recordings of the 1930’s by Wanda Landowska (PAKM004).
In 1951 Fernando Valenti and the Westminster Recording Company of New York began work on an ambitious project, to record the entire set for the newly emergent long-playing record. Although the project ultimately ran to about two dozen records, alas it was never completed, with only about half of the sonatas making it onto LP.
The first six of these LPs are being lovingly remastered from the original vinyl by Peter Harrison at disk2disc as a six-month series for Pristine Audio Direct to run from January to June, 2006.
Here we present volume one, as originally released though with the newer Kirkpatrick numbering system also noted – Ralph Kirkpatrick had earlier encouraged Valenti to study the harpsichord, but at the time of this recording had yet to finish his complete listing of Domenico Scarlatti’s music, which was to come with his critical edition of 1953.
Of Valenti, his obituary in National Review noted: “”Valenti was to Scarlatti as Artur Schnabel was to Beethoven. Just as Schnabel was this century’s greatest interpreter of Beethoven, so Valenti was our time’s definitive exponent of Scarlatti.” So said Thomas Wendel, professor of history, San Jose State. And Tom Wendel went on to say, on hearing that Fernando Valenti had died in a taxicab en route from Kennedy Airport to his sister’s house in New Jersey, “Valenti’s personality mirrored Scarlatti’s music: humorous, versatile, mercurial, jocular; and at base, profound.””
Valenti had achieved a number of ‘firsts’ by the time of this recording (made when still in his twenties) – the first harpsichordist to have recorded a film soundtrack, the first to have appeared on television and the first to appear in a Broadway show. Many critics feel that these first mono recordings for Westminster in the early 1950’s are perhaps the best of his career, particularly the best of his Scarlatti.
Andrew Rose
578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5fClick below to expand track listing:VALENTI Scarlatti: Harpsichord Sonatas, Vol. 1 (1951) – PAKM010
- L. 429, Kk. 175 – Sonata in A minor (3:39)
- L. 430, Kk. 531 – Sonata in E major (3:50)
- L. 204, Kk. 105 – Sonata in G major (4:53)
- L. 37, Kk. 325 – Sonata in G major (3:15)
- L. 395, Kk. 533 – Sonata in A major (3:16)
- L. 345, Kk. 113 – Sonata in A major (3:58)
- L. 415, Kk. 119 – Sonata in D major (5:03)
- L. 252, Kk. 421 – Sonata in C major (3:48)
- L. 279, Kk. 419 – Sonata in F major (4:09)
- L. 500, Kk. 545 – Sonata in B flat major (3:20)
- L. 449, Kk. 27 – Sonata in B minor (4:19)
- L. 262, Kk. 535 – Sonata in D major (3:16)
Recorded 1951, issued as Westminster LP WL 5106
Duration 46:52
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 2 (1951) – PAKM011
- Sonata in D minor – L. 422, Kk. 141 (4’09”)
- Sonata in D major – L. 465, Kk. 96 (3’11”)
- Sonata in D minor – L. 413, Kk. 9 (4’33”)
- Sonata in G major – L. 232, Kk. 124 (5’07”)
- Sonata in C major – L. 8, Kk. 461 (4’14”)
- Sonata in C major – L. 104, Kk. 159 (2’17”)
- Sonata in D major – L. 14, Kk. 492 (4’54”)
- Sonata in B minor – L. 263, Kk. 377 (3’29”)
- Sonata in E major – L. 23, Kk. 380 (5’37”)
- Sonata in G major – L. 486, Kk. 13 (4’23”)
- Sonata in G minor – L. 126, Kk. 347 (5’49”)
- Sonata in G major – L. 127, Kk. 348 (2’32”)
Recorded 1951, issued as Westminster LP WL 5116
Duration 52:16
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 3 (1951) – PAKM012Sonata in E major – L. 25, Kk. 46
Sonata in C minor – L. 10, Kk. 84
Recorded 1951, issued as Westminster LP WL 5116
Duration 52:16
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 4 (1952) – PAKM014
Sonata in E major – L. 323, Kk. 215
Recorded 1951, issued as Westminster LP WL 5186
Duration 52:52
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 5 (1952) – PAKM017
Sonata in E major – L. 323, Kk. 215
Fernando Valenti, harpsichord
Duration 53:16
Recorded 1952, issued as Westminster LP WL 5205
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 6 (1952) – PAKM018
- Sonata in A minor – L. 379, Kk. 7 (4’42”)
- Sonata in F minor – L. 281, Kk. 239 (3’52”)
- Sonata in C major – L. 324, Kk. 460 (5’09”)
- Sonata in F minor – L. 173, Kk. 185 (4’10”)
- Sonata in D minor – L. 163, Kk. 176 (6’04”)
- Sonata in C major – L. 282, Kk. 133 (3’49”)
- Sonata in A major – L. 135, Kk. 212 (3’35”)
- Sonata in C minor – L. 452, Kk. 116 (3’41”)
- Sonata in G major – L. 286, Kk. 427 (2’36”)
- Sonata in B flat major – L. 497, Kk. 544 (4’07”)
- Sonata in C major – L. 274, Kk. 399 (3’20”)
- Sonata in E major – L. 466, Kk. 264 (5’31”)
Recorded 1953, issued as Westminster LP WL 5325
Duration 50:36
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 7 (1953) – PAKM020
- Sonata in E major – L. 470, Kk. 403
- Sonata in A minor – L. 378, Kk. 3
- Sonata in G major – L. 304, Kk. 470
- Sonata in F major – L. 385, Kk. 445
- Sonata in B flat major – L. 434, Kk. 267
- Sonata in A major – L. 238, Kk. 208
- Sonata in A major – L. 428, Kk. 209
- Sonata in B flat major – L. Supp. 39, Kk. 441
- Sonata in G major – L. 179, Kk. 152
- Sonata in F major – L. 479, Kk. 6
- Sonata in D major – L. Supp. 11, Kk. 415
- Sonata in C major – L. 301, Kk. 49
Recorded 1953 on Westminster LP W-9324
Duration 47:02
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 8 (1954) – PAKM022
- Sonata in D major – L. 268, Kk. 224 (3’27”)
- Sonata in E minor – L. 427, Kk. 402 (10’37”)
- Sonata in A major – L. 493, Kk. 301 (4’40”)
- Sonata in E major – L. 273, Kk. 216 (5’15”)
- Sonata in C minor – L. 357, Kk. not listed (1’13”)
- Sonata in D major – L. Supp. 15, Kk. 278 (3’03”)
- Sonata in D major – L. 162, Kk. 178 (1’50”)
- Sonata in C major – L. 359, Kk. 308 (4’26”)
- Sonata in F major – L. Supp. 20, Kk. 276 (3’34”)
- Sonata in D major – L. Supp. 10, Kk. 335 (4’01”)
- Sonata in G major – L. Supp. 27, Kk. 328 (6’31”)
- Sonata in F major – L. Supp. 19, Kk. 297 (3’58”)
Recorded 1954, issued on Westminster LP XWN18009
Duration 52:34
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 9 (1955) – PAKM023
- Sonata in G major – L. 302, Kk. 372 (2’19”)
- Sonata in C major – L. 458, Kk. 527 (3’26”)
- Sonata in E major – L. 257, Kk. 206 (9’15”)
- Sonata in D minor – L. Supp. 12, Kk. 516 (4’18”)
- Sonata in D minor – L. 423, Kk. 32 (1’31”)
- Sonata in B flat major – L. Supp. 36, Kk. 42 (1’30”)
- Sonata in C major – L. Supp. 2, Kk. 420 (5’44”)
- Sonata in G major – L. 322, Kk. 167 (3’33”)
- Sonata in F minor – L. 382, Kk. 69 (4’38”)
- Sonata in C major – L. Supp. 4, Kk. 335 (2’22”)
- Sonata in G major – L. 335, Kk. 55 (3’22”)
- Sonata in A major – L. Supp. 31, Kk. 83 (4’23”)
Recorded 1955, issued on Westminster LP XWN18029
Duration 46:19
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 10 (1955) – PAKM026
- Sonata in A minor – L. 140, Kk. 341 (2’14”)
- Sonata in D major – L. 109, Kk. 436 (2’54”)
- Sonata in G major – L. 349, Kk. 146 (2’38”)
- Sonata in E major – L. 21, Kk. 162 (5’48”)
- Sonata in C major – L. 255, Kk. 515 (3’22”)
- Sonata in D minor – L. 266, Kk. 517 (3’10”)
- Sonata in E minor – L. 22, Kk. 198 (2’29”)
- Sonata in G major – L. 288, Kk. 432 (2’15”)
- Sonata in D major – L. 308, Kk. 237 (2’53”)
- Sonata in G minor – L. 13, Kk. 60 (2’57”)
- Sonata in C major – L. 5, Kk. 406 (3’35”)
- Sonata in C minor – L. 356, Kk. 56 (4’39”)
Recorded May, 1955, released as Westminster LP 18068
Duration 38:54
Fernando Valenti, harpsichord
VALENTI Scarlatti: Harpsichord Sonatas, Vol. 11 (1955) – PAKM027
- Sonata in C major – L. 454, Kk. 309 (3’42”)
- Sonata in D major – L. 206, Kk. 490 (9’31”)
- Sonata in E minor – L. 24, Kk. 292 (3’23”)
- Sonata in D minor – L. 270, Kk. 295 (4’02”)
- Sonata in A minor – L. 243, Kk. 451 (3’40”)
- Sonata in E major – L. 224, Kk. 135 (4’25”)
- Sonata in C major – L. 7, Kk. 302 (5’54”)
- Sonata in D major – L. 265, Kk. 401 (3’35”)
- Sonata in E major – L. 373, Kk. 28 (3’48”)
- Sonata in C minor – L. 317, Kk. 99 (5’01”)
- Sonata in F major – L. 116, Kk. 518 (8’08”)
- Sonata in D major – L. 213, Kk. 400 (2’39”)
Recorded 1955, released as Westminster LP 18094
Duration 57:48
Fernando Valenti, harpsichord
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